Bed of Roses
production
hand-knotted 70% Tibetan wool and 30% Chinese silk
100 knots per inch
5mm and 5.5mm loop and cut pile
18+ weeks lead time
flexible customization
about this design
Joyful and assertive, graphic and painterly, Bed of Roses is a study in contradictions, exploding expectations of this romantic emblem, the rose.
Like Dutch Golden Ager Maria van Oosterwijck (1630-1693) and her countrywoman Rachel Ruysch (1664-1750), French still life genius Anne Vallayer-Coster (1744-1818) and the mother of American Modernism herself, Georgia O’Keefe (1887-1986), Gardner engages the timeless inspiration and articulates its life in her own woven vernacular.
production
hand-knotted 70% Tibetan wool and 30% Chinese silk
100 knots per inch
5mm and 5.5mm loop and cut pile
18+ weeks lead time
flexible customization
about this design
Joyful and assertive, graphic and painterly, Bed of Roses is a study in contradictions, exploding expectations of this romantic emblem, the rose.
Like Dutch Golden Ager Maria van Oosterwijck (1630-1693) and her countrywoman Rachel Ruysch (1664-1750), French still life genius Anne Vallayer-Coster (1744-1818) and the mother of American Modernism herself, Georgia O’Keefe (1887-1986), Gardner engages the timeless inspiration and articulates its life in her own woven vernacular.
production
hand-knotted 70% Tibetan wool and 30% Chinese silk
100 knots per inch
5mm and 5.5mm loop and cut pile
18+ weeks lead time
flexible customization
about this design
Joyful and assertive, graphic and painterly, Bed of Roses is a study in contradictions, exploding expectations of this romantic emblem, the rose.
Like Dutch Golden Ager Maria van Oosterwijck (1630-1693) and her countrywoman Rachel Ruysch (1664-1750), French still life genius Anne Vallayer-Coster (1744-1818) and the mother of American Modernism herself, Georgia O’Keefe (1887-1986), Gardner engages the timeless inspiration and articulates its life in her own woven vernacular.